Thursday, February 9, 2012

Python

Composed because I'm a bit frustrated with Christianity lately. A lot frustrated. Not just lately. Okay mostly I was frustrated by the hypocrisy of some of the members of my women's spirituality class today.

Translations:

1) They say a long, long time ago
in the world under the ground... (LOL the first couple lines from the film El Laberinto del Fauno...I love that movie ^^)
2) (The title of a poem by Sor Juana Ines de la Cruz) She distrusts, as disguised cruelty,
the solace offered by hope
3) Technically this phrase simply means "dust to dust," but I like the literal Spanish translation much better: Dust you are, and to dust shall you return...
4) (An excerpt from the above-mentioned poem) Who has taken from you [Hope] the name Murderess?
For you are more terrible, when it is known
how you enjoy suspending the soul...

Okay so, long poem.

How do you like the imagery? Does it get too rant-y? Should I make it a TOUCH more subtle?
The Spanish bits - yes/no? good/bad?
The mythology - too much???

All comments appreciated!
PS. I feel sort of bad for using a nun's writings in a poem against Christianity....

PPS. Talk about a patchwork poem. Where do I get all this from???

"Serpiente"

I have done with St. Augustine.
He would have condemned you, Lilith,
would have sought you out in your cave
to prattle at you.
God claimed that he built you
from the dirt,
and for your disobedience
he crowned you with diamond scales,
with coils to ring the world.
Eve consented to silence and thus
was cursed only with the tunnel of pain that is childbirth.

Lilith, dear—
find comfort in your nest,
in your subterranean womb.
    (Cuentan que hace mucho, mucho tiempo
       en el mundo subterraneo…)

You bear the truth in your heart,
as crumbs in your hands
offered palm-up to your Oracles.
Still you are a tree—
apples blossom from your mouth,
whispers of past and future.

You alone could tell us
what a three thousand year old text means.
It has buried its spindly fingers in your brain.

God and his people call morality a simple thing,
clean as the fires of the sun.
Take a deep breath, Lilith my love—
they will call your lilied vapors
poison.
But give us rain clouds,
breathe out whole skies of truth,
scatter the earth with fossils—
handfuls of raining rose petals.
    (Sospecha crueldad disimulada,
        el alivio que la Esperanza da…)


Your time will come.
Beware the sun god,
for he comes not as Apollo,
but as St. George.
He will pin you to the earth,
deny you even the mercy of death throes.

Go not quietly into that cold dawn.
Rage—
rage against the burning of your heart.
I will recite a rosary for you,
a series of lies spilt over your bones
before the Godly come to carry your ashes away.
    (Polvo eres y en polvo
        
te convertirás…)

In quiet, lace-white lamb's clothing
he will rise from the desert sands
and slouch patiently
towards Bethlehem to be born
beneath a sky red with fire.

    (¿quién te ha quitado el nombre de homicida?
    Pues lo eres más severa, si se advierte
    que suspendes el alma entretenida…)

Steam

Though I'm not TERRIBLY fond of this poem, it was fun to write. I haven't done a humorous piece in quite some time. I thought I could use a little giggle. Besides, this piece encompasses  really essential truth about life ;P

I suppose this piece really only tangentially relates to steam....I guess....but when *I* think of hazelnut coffee, I always think of steam. Maybe that's just me.

No specific questions for critique on this one, but all responses welcome :)

"Disappointment"

There is something disappointing
in the taste of hazelnut coffee.

First, its steam curls its fingers around you,
its scent reaches out, languid,
an enticing aroma of flora,
lightly roasted and alluring.

A tantalizing swirl of vapors, a warm embrace,
close your eyes--it spreads a fireplace before you,
stretches a summer tree over your head,
pulls up a lawn chair for you in a field of sunflowers.
Succubus, seductive and sensual,
a demon of sun-baked earth.

The anticipation builds,
hands trembling softly, waiting
for the crescendo of senses in your mouth--
but the first sip to pass your anxious lips

tastes only too much like soil.

Monday, January 30, 2012

Soul

I had SO MUCH FUN writing this one, you don't even know. The more I reread it, the more I like it, which is BAD, so I need your help :)

First of all, let me say that this piece was heavily inspired by a MAGNIFICENT photograph, which you can view here: http://thenightshedied.deviantart.com/art/burn-our-souls-release-the-wicked-II-281121149


You'll note I included slight modifications of the title in the poem. I really love the title, and wanted to hold on to it :)

Anyway, questions for critique:
1) I'm not sure about some of the repetitions in there. As happens so often, I love just a DASH of sing-song, and this seemed like just the right sort of occasion for it ^^ Good/bad/yes/no?
2) I did actually attempt to create a sort of story with this piece. Does it make sense?
3) I COULD NOT RESIST A "LO"! It just felt right. So archaic constructions: "lo" and "windspirit am I" - do they work? Do you like them?
As usual, more general comments are always welcome. Thank you!


"Robin Red-Breast, the Devil, and Me"

Robin red-breast
sold his soul for a song,
cast a bundle of his scarlet feathers
on the forest floor.

The Devil stole the whole forest-full of birdsongs,
dressed them up with a bit of glitter
and holds them crumpled in his fists—
hostages for weary souls.
In a forest of silent throats
Robin red-breast sings with downcast eyes.

And I—
landspirit, windspirit am I—
running twig fingers through hair
red as fire,
I'll make ribbons of rose petals,
catch the clouds in a bucket
and make room for Robin red-breast
to nest in my branches.

I'll cut up the Devil
and I'll cut him up again,
release the wickedness
like cracking hazelnut shells,
burn up song-souls—
primroses and plague victims—
and scatter their ashes in the mountains
so their owners can find them again.

Lo—
the little red-breasted devil carries them to market
see him carry his wicker basket to market,

Old Robin red-breast—
Red-hooded and wolf-clawed both. 

Sunday, December 18, 2011

Drowning

I needed to write this.

Questions for critique:
Do the italics and such work? Do they make some sort of sense?
Imagery - does it flow well? Does it make sense?
There are parts of this story I have of course not told (though, if you go back through my poetry, I have written to this person many times). Do I at least convey how I feel about our relationship well?



"Beast"

The cold slither of Mercury fear
knots silver in my stomach—

I am a gateway,
a stone staircase descending
into the waters of the Styx.


He waits for me in the graveyard,
a Christ who rises towards me,
arms outstretched like a great
new-age vampire come
to lead us all to our graves—
waits for my death and zombie birth,
when I will be dragged
from the embracing dirt
and buried in his pale arms.

I am no Ophelia.
I fill my pockets with stones
and leave stately footprints on the riverbank—
down to sleep I go,
beside Arthur and his court.

Raise no cross over my head,
mark not where I lie.


Bethlehem-born, he carries deserts in his wake,
leaves no drop of water
for me to drink.

Let me go to the sea
and search for pearls forever
where I cannot be found.
 

Time

WOW it's been AGES. I've been really busy, but I've finally got something else to post.

As usual, any and all comments welcome!!! :)

"Timeless"

Inhale four dimensions—
an expanse like desert sand,
a second body of heat brushing lips to skin.

The cry of kingfishers resounds
heartbeats on spindly legs
with feathers catching
one hundred summers of wind:

Exhale—
a sandstorm
fills and empties
hourglass tulip bulbs. 

Monday, September 26, 2011

South African Tea

I'd love some comments on the imagery, in particular how much sense it makes! I'm concerned about the bit with Latin, and about the combination of tea and famous painters....

Any advice on trimming this down?
Any words or images that you know NOTHING about and make NO sense?

All comments welcome <3

"Rooibos Tea"

Breathe deep the chai haze—

Picasso's djinn,
a muse of eggshells and grandma's lace tablecloths,
cradles the tea kettle to her chest
and abandons Latin words and names—
flotsam and jetsam dribbling
irrelevant among the little red tea leaves;
the driftwood of genus and species bumping
against the shores of the South African scrublands.

She hovers orange and indigo,
a quavering flame of dreams
and drained tea dregs—
divination with a soft-spiced voice
at the bottom of the mug,
never quite gone—

a flock of Van Gogh crows
frozen in their hayfields.

Monday, September 12, 2011

Eclipse

I'm liking some of the shorter pieces I've done recently. Decided to keep the title the same as the topic; any suggestions for changing it would be great, though! :)

Any advice as to how I can tighten this up even more is appreciated. How do you like the imagery?
I know there isn't much space for real "flow," but does it work for you?

"Eclipse"

Breathless,
Grandmother Moon clasps
night to her bosom,
and curls, quiet and closed
before the sun;

a black-eyed Susan
blooming in a dying sky.